This evening’s program invites us on a journey through time, emotion, and the human spirit, weaving together themes of faith, loss, and resilience. We begin with Morricone’s “Gabriel’s Oboe,” a melody that has transcended its cinematic origins to become an enduring piece in the classical repertoire. Written for the 1986 film The Mission, this piece is a sublime meditation on faith and sacrifice. The oboe’s soaring lines, set against a gentle orchestral backdrop, evoke a sense of purity and devotion, mirroring the film’s themes of spirituality and redemption. Morricone’s ability to blend the sacred with the cinematic is on full display here, as the pieces flows with both lyricism and reverence.

John Rutter’s Requiem follows, offering a modern interpretation of the traditional Latin Mass for the dead. Written in 1985 in memory of Rutter’s father, this work is both personal and universal in its expression of grief and hope. Unlike the grandiosity of Verdi or Mozart’s Requiems, Rutter’s setting is intimate, emphasizing melody and textual clarity. It employs a non-traditional approach, including movements based on scriptural texts – Psalm 130 (Out of the Deep) and Psalm 23 (The Lord Is My Shepherd), and excerpts from the 1662 Book of Common Prayer. The work’s arch-like structure progresses from sorrow to serenity, culminating in the luminous “Lux Aeterna,” where cascading harmonies provide a sense of eternal peace. Throughout, Rutter’s signature lyricism and choral writing shine, ensuring that this work remains one of the most beloved contemporary choral compositions.

The evening concludes with Tchaikovsky’s Symphony No. 4, a monumental work that serves as both a personal confession and a powerful symphonic statement. Composed in the wake of personal turmoil—including an ill-fated marriage and emotional distress—Tchaikovsky poured his deepest struggles into this symphony. The opening fanfare, ominous and unyielding, introduces the motif of Fate, a theme that recurs throughout the work. The first movement alternates between turmoil and lyrical introspection, culminating in a dramatic struggle between hope and despair. The melancholic second movement, led by a plaintive oboe solo, offers a moment of reflective sorrow, while the third movement provides a playful contrast with its delicate pizzicato strings and fleeting woodwind interjections. Finally, the exuberant finale bursts forth with energy, incorporating a Russian folk tune as a symbol of communal joy. Despite the ever-present specter of Fate, Tchaikovsky’s symphony ultimately affirms the resilience of the human spirit.

Cailin Marcel Manson, baritone and conductor, a Philadelphia native, has toured as a soloist and master teacher at major concert venues throughout the United States, Europe and Asia with many organizations, including the Radio-Sinfonieorchester Stuttgart, SWR Sinfonieorchester, Taipei Philharmonic, Bayerische Staatsoper – Münchner Opernfestspiele, Choral Arts Society of Philadelphia, Chamber Orchestra of Philadelphia, Teatro La Fenice, Teatro San Carlo, Konservatorium Oslo, and the Conservatoire de Luxembourg.

He has also been a guest cantor and soloist at some of the world’s most famous churches and cathedrals, including Notre Dame, Sacré-Coeur, and La Madeleine in Paris, San Marco in Venice, Santa Maria del Fiore in Florence, San Salvatore in Montalcino, Santa Maria Maggiore and San Giovanni in Laterano in Rome, Thomaskirche and Nikolaikirche in Leipzig, and Wieskirche in Steingaden.

Cailin has built a sterling reputation over an extensive 20-year career, encompassing both baritone and some tenor repertoire, for his exceptional musicianship, keen dramatic instincts, and vocal flexibility. Critics have praised his performances as “arresting” and “revelatory,” making consistent note of his “ringing projection,” “commanding tone,” (MassLive.com), “lively, original acting skills” (Hudson-Housatonic Arts), and his “ability to bring the internal drama of the music to life” (Scranton Times-Tribune). Recently, Cailin created and premiered the roles of The Hunter in John Aylward’s Oblivion and The Man in Matthew Malsky’s A Dill Pickle, released on New Focus Recordings and Neuma Records within the last year. A founding artist for the Wagner In Vermont Festival, he has performed the role of Kurwenal in Tristan und Isolde, and the complete cycle of Wotan/Wanderer roles in Der Ring des Nibelungen (Das Rheingold, Die Walküre, and Siegfried).

He recently made an acclaimed Carnegie Hall conducting debut with MidAmerica Productions in March 2023, leading Giuseppe Verdi’s Messa da Requiem, becoming the second Black person in the performance history of Carnegie Hall to conduct the work at that historic venue. Shortly thereafter, MidAmerica Productions appointed Cailin as their Artistic Consultant, and he has since returned to Carnegie Hall numerous times to conduct masterworks in performance. He will return to La Madeleine with MidAm International — as a conductor — to lead a centennial performance of Gabriel Fauré’s Requiem in June 2024, at the very site where the work was premiered in 1888 and performed in 1924 for the composer’s state funeral.

An advocate for rarely-heard repertoire and the work of underrepresented composers, Cailin led the New England Premiere of Robert Nathaniel Dett’s The Ordering of Moses, and conducted performances of Luigi Cherubini’s Medea, Robert Aldridge’s Parables, Jules Massenet’s Marie-Magdeleine, William Grant Still’s And They Lynched Him On A Tree, Louise Farrenc’s Symphony No. 3, among many others. He also commissioned and premiered two works by emerging composers of color: the song cycle Unsaid Prayers by Nico Gutierrez, and a full symphonic work by Felix Jarrar, his Symphony No. 1, “Banishing Grief.”

Cailin has held positions as Music Director of the Vorarlberger Musikfest, Music Director and Conductor Laureate of the Chamber Symphony of Atlantic City, Artistic Director and Conductor of the Montgomery County Youth Orchestra, Chair of Vocal Studies at the Hazleton Conservatory for the Performing Arts, Director of Music at The Putney School, Music Director of the Bennington County Choral Society, and as Music Director of The Keene Chorale. He has also served as a member of the faculty of the Vermont Governor’s Institute on the Arts and the Performing Arts Institute of Wyoming Seminary. He also founded and directed the Germantown Institute for the Vocal Arts and the Germantown Concert Chorus.

Cailin is a frequent guest conductor, clinician, presenter, panelist, and adjudicator for conventions, conferences, competitions, and music festivals. Cailin studied voice performance at Temple University, and opera performance and orchestral conducting at the Universität Mozarteum Salzburg.

Soprano Jamie-Rose Guarrine is acclaimed for her “utterly thrilling, agile voice” and praised for bringing “pathos, beauty, and heartbreaking skill” to her performances. She has performed on the stages of Los Angeles Opera, Minnesota Opera, The Santa Fe Opera, Wolf Trap Opera, Opera Philadelphia, Chicago Opera Theater, Austin Opera, Utah Opera, Fort Worth Opera, and on the concert stage with the Madison Symphony, the Saint Paul Chamber Orchestra, the Santa Fe Chamber Music Festival, The National Symphony Orchestra of Costa Rica, and the Santa Fe Symphony, among many others.

An accomplished interpreter of Mozart opera, Guarrine has been seen at the Austin, Utah, Minnesota, and the Florentine Operas in her signature role of Susanna in Le nozze di Figaro, and “delivered a lovely Pamina, singing with warmth, depth, and relaxed power” in Mozart’s Die Zauberflöte (Milwaukee Journal Sentinel). Additional career highlights include Poppea in Handel’s Agrippina at Opera Omaha, the title role in Lucia di Lammermoor at Opera Saratoga, and a return to Minnesota Opera for Strauss’ Arabella, where she “traversed the Fiakermilli’s coloratura flights with ease and clarity” (Opera News).

Her diverse performance repertoire ranges from the masterworks of Bach, Handel, and Mozart, to modern works such as the roles of Xanthe/Aphrodite in Mark Adamo’s Lysistrata and Maria Celeste Philip Glass’ Galileo Galilei. In the fall of 2017 she created the role of “Fury” in Julian Wachner’s Rev.23 for performances in Boston at John Hancock Hall, New York at Trinity Wall Street, and National Sawdust in Brooklyn. Dr. Guarrine’s debut album, Transparent Boundaries: Songs Set to the Words of Dickinson, Whitman & Emerson, featuring newly commissioned works by Lori Laitman, Daron Hagen, and Scott Gendel, debuted in 2020 on the PARMA label and all streaming platforms, and was featured in numerous publications including Gramophone Magazine. She is frequently seen in concert, as a collaborator at chamber music festivals, and in recital, and proudly serves as Associate Professor of Voice at the University of Massachusetts Amherst.

First Violin
Masako Yanagita, Concertmaster (Physicians’ Fund Chair)
Marsha Harbison, Assistant Concertmaster (Raymond E. & Mildred G. Clark Chair)
Romina Kostare (Massachusetts Fire Technologies, Inc. Chair)
Ira Morris
Kathy Andrew
Miho Matsuno
Yuko Naito-Gotay
Jane Kittredge
Matthew Liebendorfer
David Siegel
Marcia Lehninger

Second Violin
Beth Welty, Principal
Jean Gress
Anne-Marie Chubet
Lawrence Deming
Anne Squire
Larissa Blitz
Arie Yaacobi
Lino Tanaka
Mark Paxson
Cynthia Tolson
Teresa Campbell

Viola
Ronald Gorevic, Principal
Delores Thayer, Assistant Principal
Carol Hutter
Elizabeth Rose
Dani Rimoni
Sarah Bleichfeld
Capella Sherwood

Cello
Aron Zelkowicz, Principal
Yoonhe Ko
Richard Mickey
Karen Wilson
Boris Kogan
Suzanne Polk
Perri Morris

Bass
Salvatore Macchia, Principal
Alexander Svensen, Assistant Principal
Kevin Huhn
Luke Baker
Dorian Jackman

Flute
Jessica Lizak, Principal
Jacqueline DeVoe
Matthew Lee

Oboe
Karen Hosmer, Principal (Grace A. Kellogg Chair)
Grace Shryock

Clarinet
Kelli O’Connor,­ Principal
Lynn Sussman

Bassoon
Shotaro Mori, Principal
Tracy McGinnis

French Horn
Sarah Sutherland, Principal
Neil Godwin
Brian Nichols
Nicholas Kneupper

Trumpet
Eric Berlin, Principal
Gerald Serfass

Trombone
Gregory Spiridopoulos, Principal
Adam Hanna
Glenn Mayer

Tuba
John Bottomley, Principal

Timpani
Martin Kluger, Principal

Percussion
Nicola Cannizzaro, Principal
Brian O’Neill
Mark Stein

Harp
Amanda Romano, Principal

Digital Piano
David Kidwell, Principal

Co-Librarian
Jean Gress
Rocío Mora

Production Manager
Gregory Jones

Personnel Manager
Renato Wendel

Nikki Stoia, Director
Denise Amirault
James Anspach
Karen Barroso
Catherine Berry
Andrea Boraski
Rebecca Bowen
Susan C. Brown
Roberto Camacho
Dora Campbell
Beth Chafetz
Hope Charlestream-González
Darlene Cincone
Jessica Cleveland
Stewart Creelman
Christina Cronin
Bunny Curylo
Carol Derouin
Elizabeth Eggleston
Claire Folini
Norman A. Freniere, Jr.
Ramón L. González
Dave Gottsegen
George Gouzounis
Silvana Gravini
Laurence D. Heller
Elise Jablow
Brenda Jermakian
Kathy Johnston
Yvette Kasparian
Amy Kasper
Tangela Langford
Ronald Levine
Wayne MacDonald
Laura Maggio
Joseph Mendes
Stephen Moore
Kellyann O’Brien
Kelly Paquet
Alicia M. Pronovost
Melissa Roco
Joyce Roswess
Jessica Shea
Arthur R. Smith
Joni Surprenant
Carolyn Szafranski
Nicole Tripp
Samantha Tripp
Apollo Uhlenbruck
Greg Virgilio
Katherine Walles
Bonnie Ward
Cynthia Welch-Moriarty
Maribeth White

The Springfield Symphony Orchestra would like to thank the following supporters for their generosity. These contributions not only bring people together to enjoy the power of music but also help us share this vibrant tapestry with the community. To update your name below or to learn more about investing in the future of music by contributing, contact Kati Hensel at khensel@springfieldsymphony.org or (413) 733-0636 x4.

MAESTRO’S CIRCLE
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Grace C. Jordan Trust
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Kathleen Lovell
Music Performance Trust Fund
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The Pappas Family Charitable Fund
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Starr Fund
Lyman & Leslie Wood
One Donor Wishes To Remain Anonymous

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Two Donors Wish To Remain Anonymous

FRIEND
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Five Donors Wish To Remain Anonymous

In memory of Harold Ahern
Linda Ahern

In memory of Priscilla Anthony
Mary Jane McMahon

In memory of Laura Broad
Peter & Kathleen Andrew
Elaine & Roye Ginsberg

In memory of Dorothy Dean
Margaret (Peg) Dean

In memory of Francis J. DeToma
Carr Property Management, Inc
Eldercare Initiatives, Inc Board of Directors

In memory of Joyce Dintzner
Amy Dickenson
William Hynes
Joe & Connie Kelly
Melissa Michalek Luman
Julie O’Connor
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Delores Scott
Abigail & Michael Veshia
Lynn Wallace
One Donor Wishes to Remain Anonymous

In memory of Lorraine U. Kotelnicki
The Lorraine U. Kotelnicki Estate

In memory of Ellen K. Landis
John N. Landis, MD

In memory of David & Frieda Lawrence
Ronnie Leavitt

In memory of Richard Lussier
Mary Jane McMahon

In memory of Jeanne Murdock Tripp
David Tripp

In memory of Kathy & Michael Ritzen
Peter & Kathleen Andrew

In memory of Thomas Race
Chris Cronin
Jan & Mike Flynn
Kathleen Kelleher
Patty Manferdini
Mary McDonough
Roger & Judy Pietras
The Schaller Family
One Donor Wishes to Remain Anonymous

In memory of Hertha Schmid Platzer
Nita Walter McAdams
Susan Monks

In memory of C. David Trader
Jean Trader

In memory of Ronald Weiss
Robert Atkinson
Terry Atkinson
Thomas & Nancy Creed
Heather Caisse-Roberts
Doherty Family Charitable Fund
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The Hugo Roth Family Fund
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Michael Sorrell
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Delores Thayer
Elaine & James Tourtelotte Charitable Fund
Roger & Barbara Wojcik
One Donor Wishes to Remain Anonymous

*Deceased

Special thanks to these businesses for their generous support. They have contributed to making the magic of music happen in a variety of ways. From being a season supporter or placing a program ad to making a Musical Petting Zoo happen, there are a variety of ways these organizations showed their love for music and their community. If your company would like more information on ways to give back, contact Kati Hensel at khensel@springfieldsymphony.org or (413) 733-0636 x1013.

6 Bricks
bankESB
Baystate Health
BODYTALK
Braman Termite & Pest Control
Bulkley, Richardson & Gelinas, LLP
Carr Properties Management, Inc
Casella Waste Systems
Center For Human Development
Chabad House Inc. of CT
City of Springfield
The Colvest Group
Commonwealth of MA
Country Bank
Falcetti Pianos
Flowers, Flowers
Forastiere Family Funeral Home
Glenmeadow
Graphite Studios
The Greater Springfield Harriers
Loomis Communities
M&T Bank
M&T Charitable Foundation
Marriott Springfield Downtown
Mass General Brigham
Massachusetts Cultural Council
MassMutual
MGM Resorts
MGM Springfield
Minuteman Press
NAI Plotkin
NE Dermatology & Laser Center
New Valley Bank
Noonan Energy
Paul L. Mancinone Company, PC
Paul Robbins Associates, Inc.
PeoplesBank
The Republican / MassLive
Rosewood Consulting, Inc.
Shatz, Schwartz And Fentin, P.C.
Sheraton
Smith College Central Svcs.
Springfield Pharmacy LLC
St. Germain Investments
State Of Massachusetts
Stop & Shop
Sullivan, Hayes & Quinn
Westside Bar & Grill

Paul Friedmann, MD, Chair
Margaret Mantoni, Treasurer
Attorney Ronald Weiss, Clerk
Tony Falcetti, Immediate Past Chair
Marsha Harbison, Orchestra Representative
Robert Bolduc
Andrew Cade
Graham Cahill
Sandra Doran
Eileen McCaffery
Evan Plotkin
Cesar Ruiz
Dr. Michael Sorrell
Bernard Spirito
Peter Thomsen

Paul Lambert, President & CEO
Heather Caisse-Roberts, Community Outreach Advisor
Andrea Pereira, Business Manager
Renato Wendel, Director of Operations & Orchestra Personnel Manager
Caitlin Meyer, Director of Education
Max Jordan, Education Assistant
Kati Hensel, Annual Fund and Stewardship Administrator
Chiara Sinigaglia, Marketing Coordinator
Rocío Mora, Youth Orchestra Manager & Associate Librarian
Patrick McMahon, Volunteer Coordinator and MPZ Coordinator
Jonathan Lam, Conductor, Springfield Youth Orchestra
Matthew Bertuzzi, Conductor, Springfield Youth Sinfonia
Nikki Stoia, Director, Springfield Symphony Chorus
Gregory Jones, Production & Stage Manager
Jean E. Gress, Orchestra Librarian
Jennifer Higgins, Grant Writer